Academic writing
“The Third International Webern Festival (1966) and Webern’s Contested Legacy” Mitteilungen der Paul Sacher Stiftung 37 (May 2024)
“Forgotten pasts and imagined futures: the First International Webern Festival and the 1962 Seattle World’s Fair,” Twentieth-Century Music 20 (2023).
“Review: Michael Lasser, City Songs and American Life, 1900–1950,” Notes 79 (September, 2022).
“Singing Webern, sounding Webern: Bethany Beardslee, Grace-Lynne Martin, and Marni Nixon, 1950–1957.” Journal of the American Musicological Society 75.1 (Spring 2022).
“Shadows, wraiths, and amoebas: the distinctive flops of Anton Webern in the United States.” Transposition: Musique et Sciences Sociales 10 (2022).
“Hidden Endings and Disappearing Measures in the First Movement of Schubert’s String Quintet in C Major, D. 956,” Indiana Theory Review 37 (Summer 2021)
"Modernist Music for Children: Three Sketches of Anton Webern in the Midcentury United States." Journal of Musicology 37.4 (Fall 2020): 488–517.
Book Review: H. Colin Slim, Stravinsky in the Americas: Transatlantic Tours and Domestic Excursions from Wartime Los Angeles (1925–1945). Journal of Musicological Research 38.3–4 (July 2019): 348–350.
Review: John W. Barker, The Pro Arte Quartet: A Century of Musical Adventure on Two Continents. Twentieth-Century Music 15.2 (June 2018): 317–322.
"Becoming Neoclassical: Instrumentation in the Sketches for Webern’s Concerto, Op. 24." Analitica, Rivista online di studi musicali 8 (2015)
Other writing
"'Opera' Three Ways in Boston." The Hudson Review (Winter 2020).
Commentaries on Orlando Gibbons’ This is the record of John and Anton Webern’s Symphony, op. 21 and Drei Lieder, op. 25. A-R Music Anthology (2020)